An old man and a young girl, the one as stubbornly offensive as the other. As soon as he was gone, the two women divested themselves of their hoods and cloaks, and threw them, as if inadvertently, into the farthest part of the angle in the wall. He gave her one of the sweaty red cans. Art was everywhere, underfoot in the form of mosaics, overhead in the form of architecture. "If you'll write them, I'll illustrate them," observed Hogarth.
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