‘How in God’s name did the wretched fellow get in then?’ ‘Dug a tunnel?’ suggested Gerald, halting next to a pair of French windows at the front. He's rewriting Poe and De Maupassant; and that stuff was good only when Poe and De Maupassant wrote it. The only part of his otherwise-interesting countenance, to which one could decidedly object, was the mouth; a feature that, more than any other, is conceived to betray the animal propensities of the possessor.
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