Michelle briskly made introductions and then joined the fray of conversations. Strewn across the bed was a multitude of jumbled garments. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. Wood, whose admiration for masculine beauty was by no means abated, glanced at the well-proportioned figure of the young man, and made him a very civil salutation. He had already shown the covering envelope and its instructions to Ruth, and she had ignored or misunderstood the warning.
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